Best Audio Interface For Ableton

2/14/2022by admin
Hi there! I'm wondering wich Audio interface I should buy...maybe someone of you can help me to decide.Audio
I'm using Ableton Live 8, Max and Logic 8. I've got a Launchpad and a microKontrol Korg.

The Audient ID4 is a basic audio interface from Audient, they have done well to be able to fit so much into this tiny package, potentially the most portable in terms of size, this interface is a hard-hitting contender for anyone looking to record on a serious budget without sacrificing quality. The NI Komplete Audio 6 MK2 is a 6-in/6-out USB Interface that comes with a whole host of awesome NI plugins. It is also comes with MIDI in/out so you have the option to dabble in hardware synths without having to upgrade in the future. Now that we’ve taken a look at the 5 best audio interfaces for Ableton, it’s time to discuss the product that stands out as the winner. The Focusrite Scarlett 6i6 (2nd Gen) USB Audio Interface comes with peace of mind – it offers a 2-year limited warranty on manufacturing defects. Complex warp modes Advanced algorithms for stretching audio, ideal for working with mixed audio or full tracks. Included: Included: Included: Audio-slicing Slice audio to a Drum Rack or Sampler instance. Excluded: Included: Included: Audio to MIDI Extract harmony, melody or drums from an audio sample and convert it to MIDI. Excluded: Included.

Interface

The best audio interface when using Ableton Live Performance is the Focusrite Saffire Pro 40. (link to Amazon) From working in a home studio to playing live shows, users love how versatile and powerful this piece of equipment is.


I just bought a MacBook Pro 2.8 GHz Intel Core 2 Duo Processor 4GB memory.
I'm a professional recording Vocalist and producer and I'm playing/Dj/singing live with Ableton.
I'm currently indecided between the Duet Apogee (but I think there is a problem in being able to Cue) and the TC electronics Twin or either Konnect Live (mostly because I like their plugs).
Any suggestions?
Thanx very much

It’s one thing to know how to create a rock-solid Ableton Session, but when it comes time to move from your church office to the stage, connecting your computer to the sound system is a vital step. As with many other things in Ableton Live, there are multiple ways of doing the same thing. It all depends on your setup, workflow and personal preference. There are three ways that I’d recommend looking at when deciding how to get your tracks heard through the sound system and the click to your band.

1. Headphone Jack
Sometimes simple is best. This is honestly the easiest and most affordable way to send tracks to your sound system. It’s also perfect for beginners or worship leaders who want a really fast setup. Many people who first start using tracks are confused by the headphone jack. They think that because it’s a single jack it only has one output. However, your headphone jack is a stereo output. This means you can use the left side of the headphone jack to send your click and the right side to send your tracks. In Ableton Live, all you need to do is choose “Built-in Output” as your audio output device from the audio settings tab in preferences. Then on each track, choose “Ext. Out” in the dropdown called “Audio To”. You’ll be given another dropdown where you can choose which side of your headphone jack to send the audio. Selecting ‘1’ will send the audio to the left side of your headphone jack and ‘2’ will send the audio to the right side. You’ll need to buy a Hosa CMP-153 Stereo Breakout cable. You’ll then be able to plug each 1/4″ jack into Direct Boxes for your click and tracks. This is the setup I use about 75% of the time when I lead worship because I travel a lot to different churches and need an easy, quick and uncomplicated setup.

2. Audio Interface
The downside of using the headphone jack is that it doesn’t give your sound team full mix control over each individual track. When using the headphone jack, you’re sending all of your tracks out a single, mono output. This means that if your sound team wants to turn down the tambourine track, you would need to adjust it for them on the Ableton Live computer ahead of time. To solve this issue, another way to send audio to the sound system is by using an audio interface.

There are a lot of great options out there that will get the job done. I would recommend looking at anything by PreSonus, MOTU, or an audio interface that I helped design that’s called Track Rig. Don’t bother with an interface that doesn’t have at least 4 outputs. You need at least 4 outputs to make this option worth it. When using an audio interface, Ableton Live will let you choose which output each of your tracks goes out of. You can connect these interfaces directly to the sound system, or through direct boxes. I’ve never needed to use more than 8 outputs, because it can feel like you’re playing to a karaoke track. My best-practice tip is to group tracks together that have similar sounds. For example, I group and send all of my key tracks together out their own output. I do the same for percussion tracks, like shaker and tambourine. I also group and send all synth lead lines together and send them out their own separate output. This will be important for your sound team so they can EQ and mix the tracks properly.

Best Audio Interface For Ableton Live 10

Track Rig is an 8-channel audio output interface that gives you everything you need to run tracks, including a 4-port USB hub for MIDI controllers and hard drives. It has 8 XLR jacks, which eliminates the need for direct boxes. It’s really easy to set up because there aren’t audio drivers and configuration software to install. Be sure to check it out at TrackRig.com.

Best Audio Interface For Ableton Live

3. Dante
I’m beginning to see more and more larger, tech-driven churches use Dante to send audio from Ableton Live to the sound system. If your soundboard is compatible with Dante, you can use Dante Virtual Soundcard to send up to 64 channels from Ableton Live to your sound system. What’s awesome is that it uses the ethernet port on your computer, which eliminates the need for a snake, direct boxes, and other cables/adapters. When you plug in the ethernet cable, you’ll be able to route your tracks to up to 64 different channels – which is by far the largest number of channels you can get. No USB audio interface will give you that many. If you’re able to go the Dante route, it’s a great option. It’s very stable and the audio quality is excellent. To learn more about Dante systems, visit audinate.com.

These are all excellent ways to get your track audio from Ableton Live to your sound system. If you’re just getting started with tracks, I would recommend the headphone jack. If you’re really comfortable with Ableton Live, try using an audio interface like Track Rig or Dante. If you’re interested in learning more about running tracks in worship, take my free course at tracksinworship.com.

Matt McCoy

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